Library Distribution: The Wide Author's Overlooked Advantage
Ask most indie authors about their distribution strategy and they will describe their retailer mix—Kobo, Apple Books, Google Play, Barnes and Noble, Amazon. What very few include in that description is libraries. Library distribution is one of the most consistently overlooked components of a wide publishing strategy, and it is one of the genuine advantages of going wide that Amazon-exclusive authors simply cannot access.
Public libraries in the United States, United Kingdom, Canada, Australia, and globally serve hundreds of millions of patrons. Those patrons borrow ebooks and print books, discover authors they love, and frequently become buyers after borrowing. Libraries purchase books through institutional acquisition systems, they pay for every copy they add to their catalog, and the authors whose books they stock receive royalties on those acquisitions. Getting your books into library systems is not glamorous, but it is a real income and discovery channel that belongs in every serious wide author's distribution mix.
Why Library Distribution Is Only Available to Wide Authors
This is worth stating clearly: if your ebooks are enrolled in KDP Select, they are not eligible for library distribution in the United States and most other markets. KDP Select's exclusivity agreement prohibits making your ebook available through other services, and library platforms like OverDrive and Hoopla are explicitly covered by that restriction.
This means every library patron who searches for your ebook on OverDrive, Hoopla, or Bibliotheca and cannot find it is a missed reader—a reader who wanted to discover you and could not because your distribution strategy locked them out. When you publish wide, that exclusion ends. Your books can appear in library catalogs and be accessible to borrowers who may never have found you through retail channels.
The Major Library Platforms
OverDrive
OverDrive is the dominant digital library lending platform in the United States and one of the largest globally. It powers digital ebook and audiobook lending at over 90,000 libraries, schools, and correctional facilities worldwide. When a library patron logs into their library's app—Libby, which is OverDrive's consumer interface—they are using OverDrive's infrastructure. The catalog of ebooks and audiobooks available through Libby is the OverDrive catalog.
OverDrive does not sell directly to libraries from indie authors. Libraries acquire titles for their OverDrive catalogs through licensed distributors, and Draft2Digital is one of the primary paths for indie authors to get their ebooks into OverDrive. When you enable library distribution through D2D and your titles are accepted into the OverDrive network, your books become available for library purchase and patron borrowing through Libby.
OverDrive's payment model is a per-copy licensing model—libraries purchase a certain number of simultaneous checkouts of your book, paying a licensing fee per copy. The royalty per checkout varies and is typically modest compared to a retail sale, but it is real income, and a popular title can generate ongoing library license renewals over time.
Hoopla
Hoopla is a digital lending service available through public libraries that operates on a fundamentally different model from OverDrive. Where OverDrive requires libraries to purchase individual licenses for specific titles (with limits on simultaneous borrowers), Hoopla operates on an all-you-can-borrow model for patrons—library members can borrow any title in Hoopla's catalog without waitlists, up to a monthly limit set by the library.
The library pays Hoopla a per-borrow fee for each checkout, and Hoopla passes a royalty to the author. Hoopla's per-borrow rate is typically higher than OverDrive's per-checkout rate because there is no upfront licensing cost—every borrow generates a royalty payment. Hoopla currently serves thousands of public libraries in the US, Canada, and Australia.
Draft2Digital distributes to Hoopla as part of its library distribution network. Authors who enable library distribution through D2D and are accepted by Hoopla will have their books available for borrow-without-waitlist by library patrons at every participating library. This is a particularly attractive model for wide authors with series—a patron who borrows book one on Hoopla without a waitlist is more likely to borrow book two the same day.
Bibliotheca (CloudLibrary)
Bibliotheca operates under the CloudLibrary brand and serves public libraries in the US, UK, Australia, and Canada with a digital lending platform that competes with OverDrive. Bibliotheca's library network is smaller than OverDrive's but meaningful—hundreds of library systems that prefer Bibliotheca's platform over OverDrive's, particularly in the UK and Australia where Bibliotheca has strong market presence.
Draft2Digital distributes to Bibliotheca as part of its library distribution options. Authors who are serious about UK and Australian library reach should ensure their books are accessible through Bibliotheca's network, as it serves library systems that OverDrive does not serve as deeply in those markets.
Palace Marketplace
Palace Marketplace is a newer entrant to the library ebook distribution space, operated by the Library Simplified project and serving public libraries across the US. It is less widely known than OverDrive or Hoopla but part of D2D's distribution network and worth including in your library distribution activation.
Your library earnings appear in ScribeCount when you connect your Draft2Digital account. Library royalties tend to arrive on different schedules than retail royalties, and tracking them separately across multiple library platforms would be genuinely tedious without aggregated reporting. ScribeCount makes your library income visible as part of your total wide earnings picture—so you know whether library distribution is working and how significant it is relative to your retail channels.
How to Activate Library Distribution
The primary path to digital library distribution for indie authors is through Draft2Digital. D2D's distribution settings allow you to opt individual titles or your entire catalog into library distribution across OverDrive, Hoopla, Bibliotheca, and other library partners.
Enabling Library Distribution in D2D
In your Draft2Digital dashboard, each title has distribution settings where you can toggle specific retailer and library platform distribution on or off. Library platforms appear as distribution options alongside retail partners. Enabling library distribution is typically a checkbox decision—you opt in, D2D submits your book to its library partners, and library acquisition decisions are made by the platforms and the libraries themselves.
Not every book submitted to library platforms will be acquired. Libraries have collection development policies and budgets that determine which titles they purchase. Getting your book into a platform's catalog means making it available for library purchase—it does not guarantee that every library in the network will acquire it. Popular genres, well-reviewed titles, and books with existing readership tend to see stronger library acquisition than obscure titles with no track record.
Print Books in Libraries Through IngramSpark
Digital library distribution covers ebooks. Print books enter library collections through a separate pathway. IngramSpark's distribution network includes library wholesalers—primarily Baker and Taylor, which is one of the largest library book distributors in the US—that library acquisition departments use to purchase physical books. An IngramSpark-distributed print book with proper wholesale discount settings is discoverable and purchasable by library acquisitions staff through Baker and Taylor's catalog.
For authors writing in categories where libraries have strong collection mandates—nonfiction, local history, children's books, literary fiction—IngramSpark print distribution combined with library-friendly metadata (clear subject classification, proper BISAC codes, a professional publisher presentation) can generate meaningful library sales over time.
Library Distribution as Author Marketing
Beyond the direct royalty income, library distribution serves an author marketing function that is worth understanding.
Discovery Amplification
Library borrowers who discover an author through a library checkout are well-documented as retail purchasers of subsequent books. Readers who borrow your first book at the library and enjoy it frequently buy the second book at retail price rather than wait for a library copy. Libraries have historically been one of the most effective book discovery channels for readers who then become buyers—the traditional publishing industry has understood this for decades, which is why traditional publishers invest in library distribution even though library sales are lower-margin than retail.
Reaching Readers Who Don't Buy
There is a segment of avid readers who borrow the majority of their books rather than purchase them. These readers are not potential retail customers—they will not buy your book whether or not it is available for purchase. But they will borrow it. And when they borrow it and love it, they recommend it to readers who do buy. Library distribution reaches this influential segment of the reading population in a way that retail distribution simply does not.
Visibility in Library Catalogs
Being present in a library's catalog creates a form of institutional credibility. Librarians recommend books they have in their collection. Readers who see your book in their library catalog—even if they never borrow it—register that it exists and belongs in the same catalog as traditionally published titles they respect. This ambient visibility is difficult to measure but real.
Common Library Distribution Mistakes
Not enabling library distribution at all in D2D settings—it is not on by default for all distribution partners
Assuming library royalties are too small to matter—at scale, with a catalog, library income is real
Expecting immediate library acquisition—libraries make collection decisions over time and budget cycles
Publishing print books only through KDP Print and missing IngramSpark's library distributor connections
Not monitoring library royalties in ScribeCount and therefore not knowing whether library distribution is contributing to your business
Conclusion
Library distribution is not the highest-income channel in a wide author's portfolio, and it should not be treated as one. But it is a genuine reader discovery channel, a real royalty stream, and an advantage that is available only to wide authors. The authors who include library distribution in their wide strategy from the beginning are building more complete coverage of the total reading audience—and they are reaching readers that their Amazon-exclusive competitors simply cannot reach.
- Randall